SHIRLEY HUGE EST
SHIRLEY

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                               SHIRLEY HUGE EST

       PAGE 1

       PANEL 1 ACROSS PAGE

       EXT. WINDMILL IN THE CENTER OF UNTILLED FIELDS -
       BIRD'S EYE VIEW - DAY

       A young weasel girl SHIRLEY dances in her underwear on top of a stone
       wall, while a group of assorted boy furrs clap. An older weasel URIAH
       in black pants, held up by suspenders and a stiff white shirt runs
       towards them from the mill. Some of the boys have seen Uriah and are
       running off in non anthro form.


                                    SHIRLEY AND BOYS
                        (singing)
                    "Louie Lou eyes, oh baby we gots ta
                    go..."

       PANEL 2

       EXT. STONE WALL - CLOSE SHOT - DAY

       URIAH has Shirley by the arm and is yelling at her. Two sandwiches
       rest on the wall.


                                            URIAH
                    What did you think you were doing young
                    lady?


                                          SHIRLEY
                    The boys promised to give me samichies
                    if I did a dance for 'em. You took away
                    my lunch when I sassed you.


                                            URIAH
                    Woodshed NOW!

       PANEL 3

       INT. WOODSHED - MEDIUM SHOT - DAY

       Shirley is draped over Uriah's knee looking scared. Uriah with a hand
       in the air, has a strangely aroused expression. Some fumes are
       wafting from Shirley.


                                            URIAH
                    Maybe I can smack some modesty into
                    you. UMMM?


                                          SHIRLEY
                    Yes, papa.


                                    SHIRLEY (CONT'D)
                        (thinks)
                    Why'd he stop?


                                            URIAH
                    Stand up missy.

       PANEL 4

       INT. WOODSHED - MEDUIM SHOT - DAY

       Shirley sits on a woodpile in the closed shed with a big book.


                                            URIAH
                    You'll stay in there till you learn
                    proper behavior. Read from THE BOOK OF
                    THE ONE. It will inspire you to be more
                    pious.


                                         NARRATOR
                    From that day Uriah never touched his
                    daughter in anger or joy.

       PANEL 5

       EXT.  GOODNESS MILLS BACK DOOR - NIGHT

       A teenage Shirley with a small bag closes the back-door of her home.


                                          SHIRLEY
                        (softly)
                    There's no love here. Pop won't even
                    come near me and sometimes those funny
                    looks he gives me...

       PAGE 2

       PANEL 1

       EXT. SOUTH BASTON - BACK STREET -- NIGHT

       Narrow cobblestone street with old brownstones in bad repair. Dim
       light in one upper window.

       PANEL 2

       INT. SOUTH BASTON - GANGS CRIB - CLOSE SHOT- NIGHT

       In a big filthy room, Shirley wrapped in a tattered blanket reclines
       on a lumpy mattress. A ferret guy sits next to her pulling on her
       blanket.


                                           FERRET
                    Oym next love come on let's go.


                                          SHIRLEY
                    Not again. I need some sleep.


                                           FERRET
                    We all got to contribute. You can't
                    steal, so it's sex or the street.

       PANEL 3

       INT. SOUTH BASTON - GANGS CRIB - MEDIUM SHOT- NIGHT

       The ferret takes Shirley from behind while she blows an Otter. Near
       by a girl genet watches.


                                            OTTER
                    Ok switch I'm hard enough.


                                           FERRET
                    I ain't done yet...


                                            OTTER
                    I want her NOW!


                                          SHIRLEY
                        (thinks)
                    They'll start a fight and I can sleep.


                                            GENET
                    You know I'm here too.

       PANEL 4

       EXT. SOUTH BASTON - HIGH STREET - MEDIUM SHOT- DAY

       Shirley (somewhat modestly dressed) Plays with the coat buttons on a
       well dressed Lion while the ferret picks his pocket. The lion is
       looking down her blouse. The store they're in front of has a sign
       that reads

       "MADAME FYANG'S TALENTS UNCOVERED"


                                          SHIRLEY
                    If you'll buy a girl a bit o' sweets
                    she'd be showing you some o' her sweets
                    if you take my meaning...


                                            LION
                    That does sound sweet...

       What's This?

       PANEL 5

       EXT. SOUTH BASTON - HIGH STREET - WIDE SHOT - DAY

       Shirley and the ferret as full sable and ferret (non anthro) run off
       with the lion's wallet pursued by him.

       PANEL 6

       EXT. SOUTH BASTON - HIGH STREET - MEDIUM SHOT-
       EVENING

       Shirley is walking into MADAME Fyang's as Harvey (white rabbit in a
       leisure suit) exits. Harvey seems brighter than his surroundings.


                                           HARVEY
                    Excuse me ma'am let me hold the door
                    for you.


                                          SHIRLEY
                    Why thank you kindly sir.

       PAGE 3

       PANEL 1

       INT. MADAME FYANG'S - MEDIUM SHOT- NIGHT

       In a smoke filled room filled with incense burners and lacquered
       furniture, Madame FYRY Fyang (a black-footed ferret) holds Shirley's
       hand and looks her in the eyes.


                                            FYRY
                    Your talent seems to be pheromone
                    control. You can ex-e-ude a scent that
                    drives-ah men mad with lust. Women too,
                    This one is excited by your presence.

       PANEL 2

       INT. MADAME FYANG'S - CLOSE SHOT - NIGHT

       Just heads


                                          SHIRLEY
                    That explains a lot. Why my dad
                    acted... Why the boys fight... What can
                    I do?


                                            FYRY
                    My Master The Black Dragon has a school
                    in Lin Nai. We could train you. It
                    costs much. You have?


                                          SHIRLEY
                    No...Could we work out another form of
                    payment?


                                            FYRY
                    May just be. This one work very close
                    with you...

       PANEL 3

       INT. SOUTH BASTON - GANGS CRIB - MEDUIM SHOT- DAY

       Ferret and otter sit on the 'bed'. Genet has her head in otters lap
       and her hand on the ferret's dick.


                                           FERRET
                    You know mate that bit of weasel fluff
                    ain't the same kick no more.


                                            OTTER
                    Yeah. Know what ya mean. We oughta sell
                    her to offworld slavers.


                                            GENET
                    You know! I'm here too.

       PANEL 4

       INT. FYRY'S BEDROOM - CLOSE SHOT - NIGHT

       Simply furnished room on upper floor of store. One lamp, one incense
       burner, a low black lacquered table next to a futon. Fyry kneels on
       her futon brushing Shirley's hair. Both are naked and freshly bathed.


                                            FYRY
                    You have learned control. Men do not
                    lust after you on street?


                                          SHIRLEY
                    No more than normal.


                                            FYRY
                    We see now.

       PANEL 5

       INT. FYRY'S BEDROOM - CLOSE UP - NIGHT

       A knife blade in the brush handle is an inch away from Shirley's eye.

       PANEL 6

       EXT. FYRY'S BEDROOM WINDOW - CLOSE SHOT - NIGHT

       Fyry in a silk robe looks out.


                                            FYRY
                    All furrs on street stare up here. Look
                    excited. More work needed.

       PANEL 7

       EXT. BACKSTREET NEAR GANG'S CRIB - MEDIUM SHOT-
       MORNING

       Genet is holding out a coin purse to Shirley. Little sparks fly up
       from her other hand. In a second floor window ferret, otter and
       another are silhouetted.


                                            GENET
                    Here take this and get out. They plan
                    to sell your ass.


                                          SHIRLEY
                    Why?


                                            GENET
                    My only talent is sparks. I kind of
                    liked you before. No one deserves
                    slavery...


                                          SHIRLEY
                    That's the most you ever said to me.
                    Get out when you can.

       PANEL 8

       EXT. CROSSROADS IN THE COUNTRY - MEDIUM SHOT- DAY

       Shirley stands where two roads meet. A sign post points back where
       she came from west says "South Baston 3" another north says "Lynden
       10 North Baston 20" and yet another east says " Hordes 7" Lin Nai 50"
       and south "BD Lair? Goshen 45 Duffy's Tavern "


                                          SHIRLEY
                    BD? ...Black Dragon! Not that way.
                    Towns? Nope. A tavern. Maybe a job?

       PAGE 4

       PANEL 1

       EXT. DUFFY'S TAVERN - WIDE SHOT - SUNDOWN

       Duffy a jackal is welcoming guests as they debark from a coach.
       Shirley waits by the door with a leaflet in her hand.

       PANEL 2

       INT. DUFFY'S TAVERN MAIN HALL - MEDIUM SHOT- LAMP
       AND CANDLE LIT.

       Duffy eyes Shirley hungrily as she hands him his flier. He points at
       the tables in the bar.


                                          SHIRLEY
                    Would ya be needing any more bar or
                    chamber maids sir?


                                            DUFFY
                    Youse looking for a position huh? Well
                    let's see what you can do. Serve them
                    tables and then see me upstairs. Third
                    door on da right.


                                          SHIRLEY
                    Right on it boss.

       PANEL 3

       INT. DUFFY'S OFFICE -  CLOSE SHOT - CANDLE LIT

       Duffy sits on the edge of a roll-top desk pants around his ankles.
       Shirley in only panties kneels at Duffy's feet licking spooge off her
       muzzle.


                                          SHIRLEY
                    Do I get the job? Boss?


                                            DUFFY
                    Round here you'll get as good as you
                    give.


                                          SHIRLEY
                    I'm not a whore...


                                            DUFFY
                    Keep me happy and flirt wid da patrons
                    dat's all

       PANEL 4

       INT DUFFY'S TAVERN BARROOM -MEDUIM SHOT - NIGHT

       Shirley in a St Pauly girl outfit serves NADIA MERCY a mink. There's
       a slight resemblance but Nadia is older and better groomed. At
       another table Harvey sits.


                                       NADIA MERCY
                    You are also a mink, no?


                                          SHIRLEY
                    Sable, my lady. Is your drink...


                                       NADIA MERCY
                    Would you like a job.


                                          SHIRLEY
                    I have a job, but my lady is most kind.

       PANEL 5

       INT DUFFY'S TAVERN BARROOM - CLOSE SHOT - NIGHT

       Nadia pulls Shirley close and whispers while the mink caresses the
       sable's thigh. On the table are gold discs with dragon heads stamped
       on them.


                                       NADIA MERCY
                    A simple errand then, one time. Come to
                    my room after...


                                          SHIRLEY
                    I'll consider your offer.


                                       NADIA MERCY
                    gold dragoons.

       PANEL 6

       INT. DUFFY'S OFFICE -  CLOSE SHOT - CANDLE LIT

       Duffy is sprawled in an oak swivel chair screwing Shirley from behind
       and groping her tits. Shirley looks bored.


                                            DUFFY
                    You is da best. So soft and mooshy.


                                          SHIRLEY
                        (thinks)
                    Get off already! Wonder what the mink
                    wants besides a girl/girl version of
                    this.

       PAGE 5

       PANEL 1

       INT DUFFY'S TAVERN BEST GUEST ROOM - CLOSE SHOT -
       CANDLE LIT

       Shirley lies naked on Nadia's velvet covered bed. Candles seem to be
       everywhere. A large trunk sits open by the bed. Nadia also nude is
       over Shirley messaging the sable's crotch. Both looks slick and damp
       (Spooge? Saliva? Oils?)


                                       NADIA MERCY
                    So you deliver note - get package -
                    return here - get paid. Simple?


                                          SHIRLEY
                    Keep doing that please. Too simple.
                    What's the catch?


                                       NADIA MERCY
                    Nothing you need fear. A bad furr is on
                    my trail. Not yours! If I went he would
                    be alerted but if you go, is no
                    problem.

       PANEL 2

       EXT. SOUTH BASTON - BACK STREET IN FRONT OF THE
       WHITE RAVEN - MEDIUM SHOT- EVENING

       Shirley dressed in the same clothes Nadia wore enters a seedy saloon.

       PANEL 3

       INT. SOUTH BASTON - WHITE RAVEN - MEDIUM SHOT-
       GASLAMPS

       Shirley sits at a table with an old potto POMP. Shirley looks around
       suspiciously.  The waitresses are topless.


                                            POMP
                    Ok you're legit. The items up stairs
                    we'll go get it together.


                                          SHIRLEY
                    Ok....you first.


                                            POMP
                    Oh no, lady's first Always.

       PANEL 4

       INT. WHITE RAVEN UPSTAIRS - MEDIUM SHOT- GASLAMPS

       Pomp and Shirley are on one side of a closed door on the other are
       two lemurs with blackjacks and ropes.

       PANEL 5

       INT. WHITE RAVEN UPSTAIRS - WIDE SHOT - GASLAMPS

       The Lemurs hold and bind up Shirley and face Pomp. One lemur with an
       eyepatch REARDON has a knife behind his back.


                                            POMP
                    Ok I delivered the mink as promised.
                    Where's my nephew Harry.


                                          REARDON
                    Oh the little wizard. He escaped two
                    days ago. We have a different pay-off
                    for you.


                                          SHIRLEY
                    I'm not the mink.

       PANEL 6

       INT. WHITE RAVEN UPSTAIRS - CLOSE-UP - GASLAMPS

       Shirley starts to turn into a full sable.


                                          REARDON
                    No you don't.

       PANEL 7 (INSET)

       SHIRLEY'S HEAD - CLOSE UP

       A blackjack comes down on Shirley's head.

       PANEL 8

       INT. WHITE RAVEN UPSTAIRS - MEDUIM SHOT - GASLAMPS

       Reardon and the other lemur carry the unconscious sable out of the
       room. Pomp on the floor with a dagger in his chest stays behind.

       PAGE 6

       PANEL 1

       EXT. OLD MILL - WIDE SHOT- FULL MOON -NIGHT

       An abandoned partially burnt out windmill stands on a windswept hill
       in the moonlight. The highest window is dimly lit.


                                     REARDON (O.S.)
                    ...The real mink will join us shortly.
                    The package...

       PANEL 2

       INT. OLD MILL TOP FLOOR - NIGHT

       Shirley hangs naked by her arms from an overhead rafter. Reardon
       holds a dagger under her muzzle with his fore arm between her
       breasts. Fumes are wafting from her body.


                                          REARDON
                    ...was a mere fabrication. There's is
                    no magic talisman that will give one
                    side of the Haven/Hel war advantage.


                                          SHIRLEY
                    What's in it for ...


                                          REARDON
                    We of Dusa only wish to keep the war
                    going so they will not look elsewhere
                    for conquest.

       PANEL 3

       NARRATION PANEL WITH REARDON'S HEAD


                                     REARDON (V.O.)
                    By making the Hordes and Hosts each
                    assume the other killed the mink and
                    stole this mythic artifact, they will
                    renew hostilities post haste.

       PANEL 4

       POPE DILLARD (A DALMATION) HOLDING A PARCHMENT

       Shot: cloudy border (fantasy)


                                          DILLARD
                    They have the damned charm. We must
                    attack before they learn to use it

       PANEL 5

       GENERAL AHYRRAD-TEE-NEOW (TIGER) HOLDING A
       PARCHMENT

       Shot: cloudy border (fantasy)


                                          AHYRRAD
                    They have the blessed charm. We must
                    attack before they learn to use it.

       PANEL 6

       INT. OLD MILL TOP FLOOR - NIGHT

       Shirley is still hung up but now Reardon is getting undressed.


                                          SHIRLEY
                        (thinks)
                    ...can't go weasel my front legs would
                    dislocate. At least he put the knife
                    down. My magick is working.


                                          REARDON
                    I'm up for some fun, while we wait.


                                          SHIRLEY
                    Wait? Oh you've got a ring through your
                    wee taddy.


                                          REARDON
                    Fun for me not you. Look closer.


                                          SHIRLEY
                    IT'S A FISH HOOK!

       PANEL 7

       INT. OLD MILL TOP FLOOR NEAR WINDOW - NIGHT

       Shirley is now tied to two beams that make an X and Reardon is
       screwing her roughly from the front. Shirley has her head tilted to
       the side near Reardon's neck.


                                          SHIRLEY
                        (thinks)
                    He's ripping my insides out! If I can't
                    stop him... Just a bit closer...


                                          REARDON
                    Bring your head back up I want to see
                    the fear as I...

       PANEL 8 (INSET)

       SHIRLEY'S MOUTH AND REARDON'S NECK - CLOSE UP

       Shirley clamps her sharp little fangs on Reardon's windpipe.

       PAGE 7

       PANEL 1

       INT. OLD MILL - LANDING AT TOP OF LONG STAIRCASE
       BIRD'S EYE VIEW - NIGHT

       Shirley lies at the top landing wearing Reardon's shirt. One flight
       down Nadia slumps near a lantern with a dagger in her shoulder. At
       ground level two lemurs sprawl limply most likely dead.


                                       NADIA MERCY
                    Got them both but one got me.


                                          SHIRLEY
                    I'll be right down. We gotta leave.

       PANEL 2

       INT. OLD MILL - SECOND LANDING FROM TOP - MEDIUM
       SHOT

       Nadia holds a dagger blade to Shirley's neck and fails to notice that
       she (Nadia) has knocked over the lantern and her dress is on fire.


                                       NADIA MERCY
                    You are brave, smart girl. To bad they
                    must find a dead mink here for my
                    retirement to work out.


                                          SHIRLEY
                    You planned this?


                                       NADIA MERCY
                    Almost. Did not plan to be caught at
                    tavern.


                                          SHIRLEY
                    SNIFF? What's burning?

       PANEL 3

       EXT. OLD MILL - WIDE ANGLE - NIGHT

       A weasel and a lemur run in opposite directions from a burning
       windmill.

       PANEL 4

       INT. DUFFY'S TAVERN MAIN HALL - MEDIUM SHOT- DAY

       Shirley leans on a table, still wearing Reardon's shirt and trailing
       blood. The hall is wrecked furniture broken or upturned everywhere.


                                          SHIRLEY
                    DUFFY! I think it's time for me to find
                    a new job.


                                     MOHRYRT (O.S.)
                    So the mink still lives...

       PANEL 5

       INT. DUFFY'S TAVERN HALL LEADING TO REAR - MEDUIM
       SHOT- DAY

       Mohryrt a tiger in Roman Centurion dress holds Nadia's trunk on one
       massive shoulder. Shirley looks dazed.


                                          SHIRLEY
                    Are you going to try to kill me too?


                                          MOHRYRT
                    Lady Mercy? I come like ya asked to
                    take you to my dad, the general's,
                    camp. Wasn't nobody here so I got ya
                    bag and waited.

       PANEL 6

       EXT. EAST BOUND ROAD - CLOSE SHOT- DAY

       Shirley sits limply on the floor of a chariot looking up. Mohryrt's
       driving. Four black Horsemen pull it along. Mohryrt sniffs the air.


                                          MOHRYRT
                    SNIFF! Do you smell blood?


                                          SHIRLEY
                        (thinks)
                    He's not wearing undies and seems
                    aroused. By blood? I think I'll take a
                    little nappy...ZZZZZ

       PAGE 9

       PANEL 1

       EXT. ENCAMPMENT OF THE HORDES OF HEL - MEDIUM SHOT-
       DAY

       Mohryrt carries a very limp Shirley towards a big tent with a red
       cross on the side and a stove pipe out the top. Two preteen
       tigresses, RIPPER and LORRHYT carry Nadia's trunk between them. The
       ground is muddy and there are tents in all directions. Lorry wears
       slippers  from Arabian Nights and Ripper dark boots too big for her.


                                          LORRHYT
                    Morry if she dies can I have her stuff.
                    Dresses jewelry...


                                           RIPPER
                    Hold up your end pussy-fart. She got
                    any spy gear?


                                          MOHRYRT
                    Kalam will fix her up. I didn't look in
                    the trunk.

       PANEL 2

       INT. ENCAMPMENT OF THE HORDES OF HEL MESS AND M. A.
       S. H. TENT- MEDIUM SHOT- TORCH LIT

       Shirley heavily bandaged, eye's half closed lies on a cot on her
       belly. KALAM a naked cheetah has her hand deep between Shirley's
       legs.


                                          SHIRLEY
                        (weakly)
                    I say Madame! I usually expect at least
                    diner before I allow such liberties.


                                            KALAM
                    Remain immotile. This philtre I'm
                    applying will ameliorate your injuries.


                                          SHIRLEY
                    Last I recall I was looking up
                    Mohryrt's dress...


                                            KALAM
                    Chuckle. Don't designate it as such to
                    him. That was a week hence.

       PANEL 3

       INT. ENCAMPMENT OF THE HORDES - MESS TENT- MEDIUM
       SHOT- DAY

       Shirley with less bandages sits up on her cot. Ripper and Lorry sit
       on the trunk. Ripper examines a jeweled dagger and Lorry a fancy
       necklace. Morry and Kalam make out in a corner.


                                           RIPPER
                    You ever kill anyone with this?


                                          SHIRLEY
                    With that one? No.


                                          LORRHYT
                    What did you have to do for this?


                                          SHIRLEY
                    Kiss a warthog.

       RIPPER AND LORRHYT

       Ooo. Icky.

       PANEL 4

       EXT. ENCAMPMENT OF THE HORDES MESS TENT- MEDIUM
       SHOT- MOON LIGHT

       Shirley sits on a folding chair outside one foot rest on a scrap of
       parchment. A black lab sprawls next to her on the ground and talks
       out of one corner of his mouth.


                                         BLACK LAB
                    There under you foot orders from da
                    Pope. Eat it after you read it.


                                     SHIRLEY (T.B.)
                        (thinks)
                    Nadia Mercy you triple crossing weasel!

       PANEL 5

       THE NOTE.

       You failed once. Don't this time. My brother Denny will contact you
       in Lynden, with your new orders, at the Red Cockerel.

       D.

       PANEL 6

       INT. GENERAL AHYRRAD'S TENT - TORCH LIT

       Mohryrt stands at attention in front of his father's desk. Ahyrrad
       stands on the other side holding a ridding crop. Shirley all healed,
       is doing push-ups in the nude on the desk.


                                          MOHRYRT
                    ...asking about what kind of leader you
                    are and sowing dissent in the ranks.
                    Can't figure if he's a cat or a dog.


                                          AHYRRAD
                    Bring him here then und I'll deal mit
                    im. Mink I did not say you could be
                    stopping.

       SFX -THWACK!


                                          SHIRLEY
                    Ya vole hair gheneral!


                                          AHYRRAD
                    No. Stop und ghet une der the desk. And
                    listen.

       PAGE 10

       PANEL 1

       INT. GENERAL AHYRRAD'S TENT - TORCH LIT

       Shot: Ahyrrad from the back. Shirley under the desk. Moldred facing
       forward.


                                          MOLDRED
                    ...So if you will only come to Safe
                    Harbor for a peace conference...


                                          AHYRRAD
                    A peace conference?


                                          MOLDRED
                    King Phillip and Pope Dillard

       are already there.


                                          AHYRRAD
                    Und iffen Ich do not?

       PANEL 2

       MOLDERED'S HEAD IN CORNER OF NARRATION PANEL


                                          MOLDRED
                        (using magick enhanced VOICE)
                    The evenly matched forces will decimate
                    each other. Your son will choke on his
                    own blood and your young
                    daughters...that is better not
                    mentioned

       PANEL 3

       EXT. BATTLEFIELD AFTER BATTLE - BIRDS EYE VIEW -
       OVERCAST DAY

       Shot: cloudy border (fantasy)

       A vast blasted heath covered by the dead and dying. Some in mostly
       white Scottish tartans. Some in Roman tunics and Centurion garb.
       Broken swords, spears and other low-tech weapons, litter the ground.
       Ahyrrad bandaged and on crutches wrings his hands as he looks down at
       Lorry and Rippers bodies hidden by a boulder. Only their feet show.
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SHIRLEY