SHIRLEY HUGE EST PAGE 1 PANEL 1 ACROSS PAGE EXT. WINDMILL IN THE CENTER OF UNTILLED FIELDS - BIRD'S EYE VIEW - DAY A young weasel girl SHIRLEY dances in her underwear on top of a stone wall, while a group of assorted boy furrs clap. An older weasel URIAH in black pants, held up by suspenders and a stiff white shirt runs towards them from the mill. Some of the boys have seen Uriah and are running off in non anthro form. SHIRLEY AND BOYS (singing) "Louie Lou eyes, oh baby we gots ta go..." PANEL 2 EXT. STONE WALL - CLOSE SHOT - DAY URIAH has Shirley by the arm and is yelling at her. Two sandwiches rest on the wall. URIAH What did you think you were doing young lady? SHIRLEY The boys promised to give me samichies if I did a dance for 'em. You took away my lunch when I sassed you. URIAH Woodshed NOW! PANEL 3 INT. WOODSHED - MEDIUM SHOT - DAY Shirley is draped over Uriah's knee looking scared. Uriah with a hand in the air, has a strangely aroused expression. Some fumes are wafting from Shirley. URIAH Maybe I can smack some modesty into you. UMMM? SHIRLEY Yes, papa. SHIRLEY (CONT'D) (thinks) Why'd he stop? URIAH Stand up missy. PANEL 4 INT. WOODSHED - MEDUIM SHOT - DAY Shirley sits on a woodpile in the closed shed with a big book. URIAH You'll stay in there till you learn proper behavior. Read from THE BOOK OF THE ONE. It will inspire you to be more pious. NARRATOR From that day Uriah never touched his daughter in anger or joy. PANEL 5 EXT. GOODNESS MILLS BACK DOOR - NIGHT A teenage Shirley with a small bag closes the back-door of her home. SHIRLEY (softly) There's no love here. Pop won't even come near me and sometimes those funny looks he gives me... PAGE 2 PANEL 1 EXT. SOUTH BASTON - BACK STREET -- NIGHT Narrow cobblestone street with old brownstones in bad repair. Dim light in one upper window. PANEL 2 INT. SOUTH BASTON - GANGS CRIB - CLOSE SHOT- NIGHT In a big filthy room, Shirley wrapped in a tattered blanket reclines on a lumpy mattress. A ferret guy sits next to her pulling on her blanket. FERRET Oym next love come on let's go. SHIRLEY Not again. I need some sleep. FERRET We all got to contribute. You can't steal, so it's sex or the street. PANEL 3 INT. SOUTH BASTON - GANGS CRIB - MEDIUM SHOT- NIGHT The ferret takes Shirley from behind while she blows an Otter. Near by a girl genet watches. OTTER Ok switch I'm hard enough. FERRET I ain't done yet... OTTER I want her NOW! SHIRLEY (thinks) They'll start a fight and I can sleep. GENET You know I'm here too. PANEL 4 EXT. SOUTH BASTON - HIGH STREET - MEDIUM SHOT- DAY Shirley (somewhat modestly dressed) Plays with the coat buttons on a well dressed Lion while the ferret picks his pocket. The lion is looking down her blouse. The store they're in front of has a sign that reads "MADAME FYANG'S TALENTS UNCOVERED" SHIRLEY If you'll buy a girl a bit o' sweets she'd be showing you some o' her sweets if you take my meaning... LION That does sound sweet... What's This? PANEL 5 EXT. SOUTH BASTON - HIGH STREET - WIDE SHOT - DAY Shirley and the ferret as full sable and ferret (non anthro) run off with the lion's wallet pursued by him. PANEL 6 EXT. SOUTH BASTON - HIGH STREET - MEDIUM SHOT- EVENING Shirley is walking into MADAME Fyang's as Harvey (white rabbit in a leisure suit) exits. Harvey seems brighter than his surroundings. HARVEY Excuse me ma'am let me hold the door for you. SHIRLEY Why thank you kindly sir. PAGE 3 PANEL 1 INT. MADAME FYANG'S - MEDIUM SHOT- NIGHT In a smoke filled room filled with incense burners and lacquered furniture, Madame FYRY Fyang (a black-footed ferret) holds Shirley's hand and looks her in the eyes. FYRY Your talent seems to be pheromone control. You can ex-e-ude a scent that drives-ah men mad with lust. Women too, This one is excited by your presence. PANEL 2 INT. MADAME FYANG'S - CLOSE SHOT - NIGHT Just heads SHIRLEY That explains a lot. Why my dad acted... Why the boys fight... What can I do? FYRY My Master The Black Dragon has a school in Lin Nai. We could train you. It costs much. You have? SHIRLEY No...Could we work out another form of payment? FYRY May just be. This one work very close with you... PANEL 3 INT. SOUTH BASTON - GANGS CRIB - MEDUIM SHOT- DAY Ferret and otter sit on the 'bed'. Genet has her head in otters lap and her hand on the ferret's dick. FERRET You know mate that bit of weasel fluff ain't the same kick no more. OTTER Yeah. Know what ya mean. We oughta sell her to offworld slavers. GENET You know! I'm here too. PANEL 4 INT. FYRY'S BEDROOM - CLOSE SHOT - NIGHT Simply furnished room on upper floor of store. One lamp, one incense burner, a low black lacquered table next to a futon. Fyry kneels on her futon brushing Shirley's hair. Both are naked and freshly bathed. FYRY You have learned control. Men do not lust after you on street? SHIRLEY No more than normal. FYRY We see now. PANEL 5 INT. FYRY'S BEDROOM - CLOSE UP - NIGHT A knife blade in the brush handle is an inch away from Shirley's eye. PANEL 6 EXT. FYRY'S BEDROOM WINDOW - CLOSE SHOT - NIGHT Fyry in a silk robe looks out. FYRY All furrs on street stare up here. Look excited. More work needed. PANEL 7 EXT. BACKSTREET NEAR GANG'S CRIB - MEDIUM SHOT- MORNING Genet is holding out a coin purse to Shirley. Little sparks fly up from her other hand. In a second floor window ferret, otter and another are silhouetted. GENET Here take this and get out. They plan to sell your ass. SHIRLEY Why? GENET My only talent is sparks. I kind of liked you before. No one deserves slavery... SHIRLEY That's the most you ever said to me. Get out when you can. PANEL 8 EXT. CROSSROADS IN THE COUNTRY - MEDIUM SHOT- DAY Shirley stands where two roads meet. A sign post points back where she came from west says "South Baston 3" another north says "Lynden 10 North Baston 20" and yet another east says " Hordes 7" Lin Nai 50" and south "BD Lair? Goshen 45 Duffy's Tavern ½" SHIRLEY BD? ...Black Dragon! Not that way. Towns? Nope. A tavern. Maybe a job? PAGE 4 PANEL 1 EXT. DUFFY'S TAVERN - WIDE SHOT - SUNDOWN Duffy a jackal is welcoming guests as they debark from a coach. Shirley waits by the door with a leaflet in her hand. PANEL 2 INT. DUFFY'S TAVERN MAIN HALL - MEDIUM SHOT- LAMP AND CANDLE LIT. Duffy eyes Shirley hungrily as she hands him his flier. He points at the tables in the bar. SHIRLEY Would ya be needing any more bar or chamber maids sir? DUFFY Youse looking for a position huh? Well let's see what you can do. Serve them tables and then see me upstairs. Third door on da right. SHIRLEY Right on it boss. PANEL 3 INT. DUFFY'S OFFICE - CLOSE SHOT - CANDLE LIT Duffy sits on the edge of a roll-top desk pants around his ankles. Shirley in only panties kneels at Duffy's feet licking spooge off her muzzle. SHIRLEY Do I get the job? Boss? DUFFY Round here you'll get as good as you give. SHIRLEY I'm not a whore... DUFFY Keep me happy and flirt wid da patrons dat's all PANEL 4 INT DUFFY'S TAVERN BARROOM -MEDUIM SHOT - NIGHT Shirley in a St Pauly girl outfit serves NADIA MERCY a mink. There's a slight resemblance but Nadia is older and better groomed. At another table Harvey sits. NADIA MERCY You are also a mink, no? SHIRLEY Sable, my lady. Is your drink... NADIA MERCY Would you like a job. SHIRLEY I have a job, but my lady is most kind. PANEL 5 INT DUFFY'S TAVERN BARROOM - CLOSE SHOT - NIGHT Nadia pulls Shirley close and whispers while the mink caresses the sable's thigh. On the table are gold discs with dragon heads stamped on them. NADIA MERCY A simple errand then, one time. Come to my room after... SHIRLEY I'll consider your offer. NADIA MERCY gold dragoons. PANEL 6 INT. DUFFY'S OFFICE - CLOSE SHOT - CANDLE LIT Duffy is sprawled in an oak swivel chair screwing Shirley from behind and groping her tits. Shirley looks bored. DUFFY You is da best. So soft and mooshy. SHIRLEY (thinks) Get off already! Wonder what the mink wants besides a girl/girl version of this. PAGE 5 PANEL 1 INT DUFFY'S TAVERN BEST GUEST ROOM - CLOSE SHOT - CANDLE LIT Shirley lies naked on Nadia's velvet covered bed. Candles seem to be everywhere. A large trunk sits open by the bed. Nadia also nude is over Shirley messaging the sable's crotch. Both looks slick and damp (Spooge? Saliva? Oils?) NADIA MERCY So you deliver note - get package - return here - get paid. Simple? SHIRLEY Keep doing that please. Too simple. What's the catch? NADIA MERCY Nothing you need fear. A bad furr is on my trail. Not yours! If I went he would be alerted but if you go, is no problem. PANEL 2 EXT. SOUTH BASTON - BACK STREET IN FRONT OF THE WHITE RAVEN - MEDIUM SHOT- EVENING Shirley dressed in the same clothes Nadia wore enters a seedy saloon. PANEL 3 INT. SOUTH BASTON - WHITE RAVEN - MEDIUM SHOT- GASLAMPS Shirley sits at a table with an old potto POMP. Shirley looks around suspiciously. The waitresses are topless. POMP Ok you're legit. The items up stairs we'll go get it together. SHIRLEY Ok....you first. POMP Oh no, lady's first Always. PANEL 4 INT. WHITE RAVEN UPSTAIRS - MEDIUM SHOT- GASLAMPS Pomp and Shirley are on one side of a closed door on the other are two lemurs with blackjacks and ropes. PANEL 5 INT. WHITE RAVEN UPSTAIRS - WIDE SHOT - GASLAMPS The Lemurs hold and bind up Shirley and face Pomp. One lemur with an eyepatch REARDON has a knife behind his back. POMP Ok I delivered the mink as promised. Where's my nephew Harry. REARDON Oh the little wizard. He escaped two days ago. We have a different pay-off for you. SHIRLEY I'm not the mink. PANEL 6 INT. WHITE RAVEN UPSTAIRS - CLOSE-UP - GASLAMPS Shirley starts to turn into a full sable. REARDON No you don't. PANEL 7 (INSET) SHIRLEY'S HEAD - CLOSE UP A blackjack comes down on Shirley's head. PANEL 8 INT. WHITE RAVEN UPSTAIRS - MEDUIM SHOT - GASLAMPS Reardon and the other lemur carry the unconscious sable out of the room. Pomp on the floor with a dagger in his chest stays behind. PAGE 6 PANEL 1 EXT. OLD MILL - WIDE SHOT- FULL MOON -NIGHT An abandoned partially burnt out windmill stands on a windswept hill in the moonlight. The highest window is dimly lit. REARDON (O.S.) ...The real mink will join us shortly. The package... PANEL 2 INT. OLD MILL TOP FLOOR - NIGHT Shirley hangs naked by her arms from an overhead rafter. Reardon holds a dagger under her muzzle with his fore arm between her breasts. Fumes are wafting from her body. REARDON ...was a mere fabrication. There's is no magic talisman that will give one side of the Haven/Hel war advantage. SHIRLEY What's in it for ... REARDON We of Dusa only wish to keep the war going so they will not look elsewhere for conquest. PANEL 3 NARRATION PANEL WITH REARDON'S HEAD REARDON (V.O.) By making the Hordes and Hosts each assume the other killed the mink and stole this mythic artifact, they will renew hostilities post haste. PANEL 4 POPE DILLARD (A DALMATION) HOLDING A PARCHMENT Shot: cloudy border (fantasy) DILLARD They have the damned charm. We must attack before they learn to use it PANEL 5 GENERAL AHYRRAD-TEE-NEOW (TIGER) HOLDING A PARCHMENT Shot: cloudy border (fantasy) AHYRRAD They have the blessed charm. We must attack before they learn to use it. PANEL 6 INT. OLD MILL TOP FLOOR - NIGHT Shirley is still hung up but now Reardon is getting undressed. SHIRLEY (thinks) ...can't go weasel my front legs would dislocate. At least he put the knife down. My magick is working. REARDON I'm up for some fun, while we wait. SHIRLEY Wait? Oh you've got a ring through your wee taddy. REARDON Fun for me not you. Look closer. SHIRLEY IT'S A FISH HOOK! PANEL 7 INT. OLD MILL TOP FLOOR NEAR WINDOW - NIGHT Shirley is now tied to two beams that make an X and Reardon is screwing her roughly from the front. Shirley has her head tilted to the side near Reardon's neck. SHIRLEY (thinks) He's ripping my insides out! If I can't stop him... Just a bit closer... REARDON Bring your head back up I want to see the fear as I... PANEL 8 (INSET) SHIRLEY'S MOUTH AND REARDON'S NECK - CLOSE UP Shirley clamps her sharp little fangs on Reardon's windpipe. PAGE 7 PANEL 1 INT. OLD MILL - LANDING AT TOP OF LONG STAIRCASE BIRD'S EYE VIEW - NIGHT Shirley lies at the top landing wearing Reardon's shirt. One flight down Nadia slumps near a lantern with a dagger in her shoulder. At ground level two lemurs sprawl limply most likely dead. NADIA MERCY Got them both but one got me. SHIRLEY I'll be right down. We gotta leave. PANEL 2 INT. OLD MILL - SECOND LANDING FROM TOP - MEDIUM SHOT Nadia holds a dagger blade to Shirley's neck and fails to notice that she (Nadia) has knocked over the lantern and her dress is on fire. NADIA MERCY You are brave, smart girl. To bad they must find a dead mink here for my retirement to work out. SHIRLEY You planned this? NADIA MERCY Almost. Did not plan to be caught at tavern. SHIRLEY SNIFF? What's burning? PANEL 3 EXT. OLD MILL - WIDE ANGLE - NIGHT A weasel and a lemur run in opposite directions from a burning windmill. PANEL 4 INT. DUFFY'S TAVERN MAIN HALL - MEDIUM SHOT- DAY Shirley leans on a table, still wearing Reardon's shirt and trailing blood. The hall is wrecked furniture broken or upturned everywhere. SHIRLEY DUFFY! I think it's time for me to find a new job. MOHRYRT (O.S.) So the mink still lives... PANEL 5 INT. DUFFY'S TAVERN HALL LEADING TO REAR - MEDUIM SHOT- DAY Mohryrt a tiger in Roman Centurion dress holds Nadia's trunk on one massive shoulder. Shirley looks dazed. SHIRLEY Are you going to try to kill me too? MOHRYRT Lady Mercy? I come like ya asked to take you to my dad, the general's, camp. Wasn't nobody here so I got ya bag and waited. PANEL 6 EXT. EAST BOUND ROAD - CLOSE SHOT- DAY Shirley sits limply on the floor of a chariot looking up. Mohryrt's driving. Four black Horsemen pull it along. Mohryrt sniffs the air. MOHRYRT SNIFF! Do you smell blood? SHIRLEY (thinks) He's not wearing undies and seems aroused. By blood? I think I'll take a little nappy...ZZZZZ PAGE 9 PANEL 1 EXT. ENCAMPMENT OF THE HORDES OF HEL - MEDIUM SHOT- DAY Mohryrt carries a very limp Shirley towards a big tent with a red cross on the side and a stove pipe out the top. Two preteen tigresses, RIPPER and LORRHYT carry Nadia's trunk between them. The ground is muddy and there are tents in all directions. Lorry wears slippers from Arabian Nights and Ripper dark boots too big for her. LORRHYT Morry if she dies can I have her stuff. Dresses jewelry... RIPPER Hold up your end pussy-fart. She got any spy gear? MOHRYRT Kalam will fix her up. I didn't look in the trunk. PANEL 2 INT. ENCAMPMENT OF THE HORDES OF HEL MESS AND M. A. S. H. TENT- MEDIUM SHOT- TORCH LIT Shirley heavily bandaged, eye's half closed lies on a cot on her belly. KALAM a naked cheetah has her hand deep between Shirley's legs. SHIRLEY (weakly) I say Madame! I usually expect at least diner before I allow such liberties. KALAM Remain immotile. This philtre I'm applying will ameliorate your injuries. SHIRLEY Last I recall I was looking up Mohryrt's dress... KALAM Chuckle. Don't designate it as such to him. That was a week hence. PANEL 3 INT. ENCAMPMENT OF THE HORDES - MESS TENT- MEDIUM SHOT- DAY Shirley with less bandages sits up on her cot. Ripper and Lorry sit on the trunk. Ripper examines a jeweled dagger and Lorry a fancy necklace. Morry and Kalam make out in a corner. RIPPER You ever kill anyone with this? SHIRLEY With that one? No. LORRHYT What did you have to do for this? SHIRLEY Kiss a warthog. RIPPER AND LORRHYT Ooo. Icky. PANEL 4 EXT. ENCAMPMENT OF THE HORDES MESS TENT- MEDIUM SHOT- MOON LIGHT Shirley sits on a folding chair outside one foot rest on a scrap of parchment. A black lab sprawls next to her on the ground and talks out of one corner of his mouth. BLACK LAB There under you foot orders from da Pope. Eat it after you read it. SHIRLEY (T.B.) (thinks) Nadia Mercy you triple crossing weasel! PANEL 5 THE NOTE. You failed once. Don't this time. My brother Denny will contact you in Lynden, with your new orders, at the Red Cockerel. D. PANEL 6 INT. GENERAL AHYRRAD'S TENT - TORCH LIT Mohryrt stands at attention in front of his father's desk. Ahyrrad stands on the other side holding a ridding crop. Shirley all healed, is doing push-ups in the nude on the desk. MOHRYRT ...asking about what kind of leader you are and sowing dissent in the ranks. Can't figure if he's a cat or a dog. AHYRRAD Bring him here then und I'll deal mit im. Mink I did not say you could be stopping. SFX -THWACK! SHIRLEY Ya vole hair gheneral! AHYRRAD No. Stop und ghet une der the desk. And listen. PAGE 10 PANEL 1 INT. GENERAL AHYRRAD'S TENT - TORCH LIT Shot: Ahyrrad from the back. Shirley under the desk. Moldred facing forward. MOLDRED ...So if you will only come to Safe Harbor for a peace conference... AHYRRAD A peace conference? MOLDRED King Phillip and Pope Dillard are already there. AHYRRAD Und iffen Ich do not? PANEL 2 MOLDERED'S HEAD IN CORNER OF NARRATION PANEL MOLDRED (using magick enhanced VOICE) The evenly matched forces will decimate each other. Your son will choke on his own blood and your young daughters...that is better not mentioned PANEL 3 EXT. BATTLEFIELD AFTER BATTLE - BIRDS EYE VIEW - OVERCAST DAY Shot: cloudy border (fantasy) A vast blasted heath covered by the dead and dying. Some in mostly white Scottish tartans. Some in Roman tunics and Centurion garb. Broken swords, spears and other low-tech weapons, litter the ground. Ahyrrad bandaged and on crutches wrings his hands as he looks down at Lorry and Rippers bodies hidden by a boulder. Only their feet show.